Abstract

Kant’s work, taken as a whole manifests a diversity of styles of writing, of which the disparity between his critical and popular style is salient. In this paper, this diversity is connected with, what Lyotard calls ‘the absence of a homogeneous language’ in Kant’s system. Taking this connection as a point of departure it is argued that the stylistic diversity in Kant reflects the burden of coordinating the realist and idealist aspects of his philosophical outlook. That Kant labels the skepticism about the deductibility of practical validity from theoretical rightness as a scandal of philosophy is taken as an indication that he is concerned about this problem. In view of this it is asked, with reference to the occurrence of moral and juridical terms in de text in which Anaximander’s key metaphysical ideas about nature and world order are cast what lessons can be learned from the origins of the European philosophical tradition to come to terms with Kant’s problem, which is considered as a problem for metaphysics in general, given its cosmopolitical tendency.