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Image, Space, Revolution: The Arts of Occupation
Critical Inquiry 39 (1):8-32 (2012)
Abstract
Is there a dominant global image—call it a world picture—that links the Occupy movement to the Arab Spring? Or is there any single image that captures and perhaps even motivated the widely noticed synergy and infectious mimicry between Tahrir Square and Zuccotti Park?Author's Profile
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Citations of this work
The Politics of Becoming: Anonymity and Democracy in the Digital Age.Hans Asenbaum - 2023 - Oxford: Oxford University Press.
Post January Revolution Cairo: Urban Wars and the Reshaping of Public Space.Mona Abaza - 2014 - Theory, Culture and Society 31 (7-8):163-183.
Breaking billboards: protest and a politics of play.Nazlı Konya - 2021 - Contemporary Political Theory 20 (2):250-271.
Topological and networked visibility: Politics of seeing in the digital age.Michele Martini - 2019 - Semiotica 2019 (231):259-277.
Violence, Dramaturgical Repertoires and Neoliberal Imaginaries in Cairo.Mona Abaza - 2016 - Theory, Culture and Society 33 (7-8):111-135.
References found in this work
The Counter-Monument: Memory against Itself in Germany Today.James E. Young - 1992 - Critical Inquiry 18 (2):267-296.
I'm So Angry I Made A Sign: A first-hand account of the signs and artwork of Occupy Wall St.Michael Taussig - 2012 - Critical Inquiry 39 (1):56-88.
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