- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
The Last Post: Music After Modernism
Manchester University Press (1993)
Abstract
This article has no associated abstract. (fix it)Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Simon Miller, ed., The Last Post: Music after Modernism.K. Gloag - forthcoming - Radical Philosophy.
Simon Trezise.Studio Take - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press. pp. 261.
Rousseau Among the Moderns: Music, Aesthetics, Politics.Julia Simon - 2013 - Pennsylvania State University Press.
Maceda, Spahlinger and the dialectics of a "new music" praxis in Southeast Asian modernity.Jonas Baes - 2022 - Diliman, Quezon City: University of the Philippines Press.
PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music.Marina Sudo - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
Music and modernism, c. 1849-1950.Charlotte De Mille (ed.) - 2011 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music.Marina Sudo - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
A treatise on the principles of shî'ite theology / edited and translated by William mcelwee Miller. Tracts on listening to music / edited and translated by James Robson. An introduction to the science of tradition.Hiroyuki Mashita - 2003 - In Theology, ethics and metaphysics: Royal Asiatic Society classics of Islam. New York: Edition Synapse.
Analytics
Added to PP
2015-02-02
Downloads
2 (#1,450,151)
6 months
2 (#1,816,284)
2015-02-02
Downloads
2 (#1,450,151)
6 months
2 (#1,816,284)
Historical graph of downloads
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6686886f5-2nz2h uwo