Abstract

The revival of realism for francophone literature has been widely addressed. The essay argues that this comeback stems not only from a social crisis, but from an urgent need to justify the social world. If this new realism can be said to emerge at the end of the 1980s, then its driving force is a melting away of universalism – a loss of claims to global legitimacy, or to speak with a validity encompassing all of human experience, that manifests itself as a fundamental problem in representing the world.