Abstract

Wittgenstein's ideal of “coolness” seems to be represented by the idea of a temple which provides a larger perspective than those of the passions, which remain present but untroubling. Wittgenstein's temple is the image of a powerful condition of mind with an intentional, cognitive content whose saliencies contrast with those of the passions, which are not so much restrained by a contrary and coercive force as subdued precisely by a transfer of power to another and therefore strengthened form of attention. A form of attention, according to the author, that belongs to the Greek virtue of s ophrosun e, a virtue which is the “coolness” toward which Wittgenstein aspires. The author suggests that “coolness” is best understood as the disclosure of an emergent moral sensibility in the revelation of the natural objects of its attention.