Abstract

Traditions and rituals play an important role in all facets of human behavior, and those connected with government tell us much about the society in which they are practiced. They point to the history, values, and self-image of the society, and any change in their content or practice reflects a revision of that status, a realignment of the self-image. Among the many traditions that had grown over the centuries and that both framed and shaped the activities and the image of the Florentine government, those of the mensa of the Signoria were particularly significant. From the beginning of the Priorate in 1282, the mensa, the twice-daily communal meals held in the privacy of the Palace of the Signoria, had been conducted with a decorum that emphasized the way in which the executives of the government viewed themselves and their office. When alterations were made to some of these practices in the 1380s, they reflected fundamental changes in the self-perception of the members of the Signoria, and by extension of the city-state as a whole. The alteration on which I wish to focus involves the dinner music, a seemingly insignificant change but one that reflects a profound reorientation of cultural values. Some of the facts of the change have been reported previously in passing, but their significance has gone unnoticed until now