Abstract

The notion of the cyborg has exercised the popular imagination for almost two hundred years. In very general terms the idea that a living entity can be a hybrid of both organic matter and mechanical parts, and for all intents and purposes be seamlessly functional and self-regulating, was prefigured in literary works such as Shelly
s Frankenstein and Samuel Butler
s Erewhon . This notion of hybridism has been a staple theme of 20th century science fiction writing, television programmes and the cinema. For the most part, these works trade on a deep sense of unease we have about our personal identity – how could some non-organic matter to which I have so little conscious access count as a bona fide part of me? Cognitive scientist and philosopher, Andy Clark, picks up this general theme and presents an empirical and philosophical case for the following inextricably linked theses