Abstract

In this article I argue that the mechanical inexplicability of natural ends in the third Critique is best understood against the background of a fairly traditional picture of the metaphysics of living things, one embraced by Kant himself. On this picture, the distinctive unity of a living thing was to be explained by a soul, form, or monad. The constraints placed on the understanding in the first Critique, however, make such an explanation impossible: because the principle of a living thing in virtue of which it constitutes a whole—rather than a mere aggregate of things—is simple, it cannot be met with in space. By ruling out a widely accepted explanans for a well-recognized explanandum, in other words, Kant’s first Critique makes living things inexplicable in precisely those ways suggested by the third.