Conceptualization of Religious Art in Farabi's Philosophy

Kheradnameh Sadra Quarterly 63 (2011)
  Copy   BIBTEX

Abstract

Farabi has placed artists as the carriers of religion in the second place in utopia and after the prophetic government. He believes that the angel of revelation emanates all intelligibles to the rational faculty of the Prophet and then to his imaginal faculty. Due to their low capabilities or habits, the public are incapable of the rational perception of happiness and the truth. Therefore, the Prophet , who himself enjoys intellectual mastery over all realities based on certain arguments, revealed their images and referents to people's imagination. In Farabi's philosophical system, an artist, in the general sense of the word, deals with the element of imagination, and the utopian or religious and prophetic art is an art that transfers intelligible happiness to the mind of the public through sensual and imaginal forms

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Abu Nasr al-Farabi: issledovanii︠a︡ i perevody.A. L. Kaziberdov, S. A. Farabi & Mutalibov - 1986 - Tashkent: Izd-vo "Fan" Uzbekskoĭ SSR. Edited by S. A. Mutalibov & Fārābī.
Al-fārābi on the democratic city.Muhammad Ali Khalidi - 2003 - British Journal for the History of Philosophy 11 (3):379 – 394.

Analytics

Added to PP
2015-02-04

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references