Abstract

Rogue One is a complex film that invites a wide range of philosophical questioning. This chapter focuses on the film's political aspect. Rogue One powerfully illustrates an essential and timely claim made about the nature of democracy by John Dewey. Rogue One is significantly different from earlier Star Wars films. It does not offer a simple, mythic morality tale, where the difference between right and wrong is as stark as the contrast between Leia's white gown and Vader's black mask. Rogue One takes place in a messy and unfair world in which traditional moral frameworks appear naive and ill‐suited. The rest of Rogue One is exceptionally powerful not only because of amazing acting, sound design, and cinematography, but because it uses the tropes and setting of gritty war cinema to tell a universal story about the power of hope and faith in others.