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Phenomenology of Film: A Heideggerian Account of the Film Experience
Lanham, Md: Lexington Books (2017)
Abstract
This interdisciplinary study explores the relevance and application of Martin Heidegger’s phenomenology to key issues in the philosophy film. It develops a comprehensive look at how Heidegger’s thought illuminates historical and contemporary problems the film medium poses to philosophers.Author's Profile
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Die Auseinandersetzung with Heidegger’s Phenomenological Ontology: A Heideggerian Account of the Film Experience: Phenomenology of film: a Heideggerian account of the film experience, by Shawn Loht, Lexington Books, Lanham, Maryland, 2017, 220 pp., cloth, $95, ISBN-13: 978-1498519021.James M. Magrini - 2019 - Comparative and Continental Philosophy 11 (3):281-291.
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Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
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Citations of this work
Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
Die Auseinandersetzung with Heidegger’s Phenomenological Ontology: A Heideggerian Account of the Film Experience: Phenomenology of film: a Heideggerian account of the film experience, by Shawn Loht, Lexington Books, Lanham, Maryland, 2017, 220 pp., cloth, $95, ISBN-13: 978-1498519021.James M. Magrini - 2019 - Comparative and Continental Philosophy 11 (3):281-291.
El cine en los escritos de Heidegger bajo el 'III Reich'.Aarón Rodríguez Serrano - 2020 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 53:301-325.
Editorial: On the Primacy of Language in Phenomenological Research.Erika Goble - 2019 - Phenomenology and Practice 13 (1):2-6.
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