Theses on cinema as philosophy

Journal of Aesthetics and Art Criticism 64 (1):11–18 (1991)
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Abstract

The article explores the link between motion pictures and philosophy, citing film's contribution to philosophy, and the illustrative and heuristic roles of films. The philosophical contributions of films may be examined in the films "Vredens Dag," or "Day of Wrath," where filmmaker, Carl Theodor Dreyer used various specifically cinematic means to express ideas pertaining to ethical and epistemic issues, while "The Seventh Seal," provides some ideas about religion

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2009-01-28

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Paisley Livingston
Lingnan University

Citations of this work

Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: Routledge Press, Research on Aesthetics. pp. 116-134.
Learning from Fiction.Greg Currie, Heather Ferguson, Jacopo Frascaroli, Stacie Friend, Kayleigh Green & Lena Wimmer - 2023 - In Alison James, Akihiro Kubo & Françoise Lavocat (eds.), The Routledge Handbook of Fiction and Belief. Routledge. pp. 126-138.

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References found in this work

Aesthetic appreciation.Gary Iseminger - 1981 - Journal of Aesthetics and Art Criticism 39 (4):389-397.
The Specificity of Media in the Arts.Noël Carroll - 1985 - The Journal of Aesthetic Education 19 (4):5.
Nested art.Paisley Nathan Livingston - 2003 - Journal of Aesthetics and Art Criticism 61 (3):233–246.

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