- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
“Solid objects,” solid objections : on Virginia Woolf and philosophy
In Garry Hagberg (ed.), Art and Ethical Criticism. Oxford, UK: Blackwell. pp. 123--143 (2008)
Abstract
This chapter contains sections titled: “Solid Objects” and Its Interpretations Towards an Alternative Interpretation “Solid Objects” as a reductio ad absurdum of One Kind of Aesthetic Theory Rapture does not Suffice.Author's Profile
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Simple chemical reactions in the solid state: Towards elaborating a conception. [REVIEW]A. Korobov - 2005 - Foundations of Chemistry 7 (3):307-314.
Lighthouse bodies: The neutral monism of Virginia Woolf and Bertrand Russell.Joanne A. Wood - 1994 - Journal of the History of Ideas 55 (3):483-502.
“What Else Can I Do But Write?” Discursive Disruption and the Ethics of Style in Virginia Woolf's Three Guineas.Teresa Winterhalter - 2003 - Hypatia 18 (4):236-257.
Voyaging Out.Paul Kintzele - 2010 - Journal of Philosophy: A Cross-Disciplinary Inquiry 5 (12):41-52.
Analytics
Added to PP
2009-01-28
Downloads
55 (#289,017)
6 months
6 (#507,808)
2009-01-28
Downloads
55 (#289,017)
6 months
6 (#507,808)
Historical graph of downloads
Author's Profile
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-64dd777598-pjbg5 uwo