Visual Art and the Rhythm of Experience

, &
Journal of Aesthetics and Art Criticism 77 (3):281-293 (2019)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1111/jaac.12647

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Chapter One A Psychological Theory of the Aesthetic Experience Bjarne Sode Funch.Bjarne Sode Funch - 2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press.
Prelude to Visualized Rhythm: the Work of Piet Mondrian.Eiichi Tosaki - 2000 - Colloquy 4.
Got rhythm… for better and for worse. Cross-modal effects of auditory rhythm on visual word recognition.Renaud Brochard, Maxime Tassin & Daniel Zagar - 2013 - Cognition 127 (2):214-219.
The relation between cortical response to visual stimulation and changes in the alpha rhythm.S. H. Bartley - 1940 - Journal of Experimental Psychology 27 (6):624.
Sensorimotor expectations and the visual field.Dan Cavedon-Taylor - 2018 - Synthese 198 (Suppl 17):3991-4006.
The Subject of Aesthetics: A Psychology of Art and Experience.Tone Roald - 2015 - Leiden: Brill | Rodopi. Edited by Hans Ulrich Gumbrecht.
Visual Experience: A Semantic Approach.Wylie Breckenridge - 2018 - New York, NY: Oxford University Press.
Concepts about agency constrain beliefs about visual experience.Daniel T. Levin - 2012 - Consciousness and Cognition 21 (2):875-888.
Rhythm and Existence.Marcia Sá Cavalcante Schuback - 2018 - Research in Phenomenology 48 (3):318-330.
Visual Consciousness and The Phenomenology of Perception.Ron McClamrock - 2013 - Metaphilosophy 44 (1-2):63-68.
The admissible contents of visual experience.Michael Tye - 2009 - Philosophical Quarterly 59 (236):541-562.
Rhythm and intensity. The art of punctuation and the aesthetics of the everyday.Yves Millet - 2012 - Contrastes: Revista Internacional de Filosofía 17:207-219.
The scope and limits of enactive approaches to visual experience.Pierre Jacob - unknown
The geometry of visual space and the nature of visual experience.Farid Masrour - 2015 - Philosophical Studies 172 (7):1813-1832.
Flicker-induced color and form: Interdependencies and relation to stimulation frequency and phase.C. BeCker & M. Elliott - 2006 - Consciousness and Cognition 15 (1):175-196.

Analytics

Added to PP
2019-08-05

Downloads
32 (#487,332)

6 months
4 (#790,687)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

Can a Painting have a Rhythm?Jason Gaiger - 2018 - British Journal of Aesthetics 58 (4):363-383.
Affectivity and movement: The sense of sensing in Erwin Straus.Renaud Barbaras - 2004 - Phenomenology and the Cognitive Sciences 3 (2):215-228.
The Primary World of Senses: A Vindication of Sensory Experience.Philip Merlan - 1967 - Philosophy and Phenomenological Research 28 (2):285-285.
The Sense of the Senses.Erwin W. Straus - 1965 - Southern Journal of Philosophy 3 (4):192-201.

Add more references