Profoundly unreconciled to nature": ecstatic truth and the humanistic sublime in Werner Herzog's war films

In The philosophy of war films. Lexington: University Press of Kentucky (2014)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,752

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Antiphusis : Werner Herzog's Grizzly Man.Benjamin Noys - 2007 - Film-Philosophy 11 (3):38-51.
Fake News and Ecstatic Truths: Alternative Facts in Lessons of Darkness.Kyle Novak - 2020 - In M. Blake Wilson & Christopher Turner (eds.), The Philosophy of Werner Herzog. Lanham, MD 20706, USA: Rowman & Littlefield.
On Experience and Illumination: Werner Herzog’s Dialectical Relation with Society.Stefanie Baumann - 2020 - In M. Blake Wilson & Christopher Turner (eds.), The Philosophy of Werner Herzog. Lanham, Boulder, New York, London: pp. 187-201.
Offending the Public: Handke, Herzog, Hypnosis.Brad Prager - 2012 - Telos: Critical Theory of the Contemporary 2012 (159):93-104.
Ecstatic Naturalism and Aesthetic Transcendentalism on the Creativity of Nature.Nicholas Guardiano - 2016 - American Journal of Theology and Philosophy 37 (1):55-69.

Analytics

Added to PP
2022-12-18

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Author's Profile

David LaRocca
Cornell University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references