Hanslick’s Deleted Ending

&
British Journal of Aesthetics 57 (1):85-95 (2017)
  Copy   BIBTEX

Abstract

We question Mark Evan Bonds’ interpretation of the deleted ending of Eduard Hanslick’s On the Musically Beautiful. We argue that there is no evidence that it reveals a commitment to Pythagoreanism or Idealism. We supply an alternative explanation of the deletion.

Categories

Keywords

Reprint years

DOI

10.1093/aesthj/ayw056

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,628

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Wagner und Hanslick. Kurze Geschichte einer Feindschaft.Christian Jung - 2012 - Österreichische Musikzeitschrift 67 (6):14-21.
Against emotion: Hanslick was right about music.Nick Zangwill - 2004 - British Journal of Aesthetics 44 (1):29-43.
Hanslick's third thesis.Robert J. Yanal - 2006 - British Journal of Aesthetics 46 (3):259-266.
Bernard Bolzano, Eduard Hansliek und die Geschichte des musikästhetischen Objektivismus.Christoph Landerer - 1993 - Kriterion - Journal of Philosophy 6 (1):20-40.
Bernard Bolzano, Eduard Hanslick Und Die Geschichte Des Musikästhetischen Objektivismus.Christoph Landerer - 1993 - Kriterion - Journal of Philosophy 5 (1):16-30.
Musikästhetik und Musikkritik bei Eduard Hanslick.Werner Abegg - 1974 - Regensburg : G. Bosse.
Musikk og mening: en studie i musikkforståelse med utgangspunkt i Eduard Hanslick.Peder Christian Kjerschow - 1978 - Oslo: Tanum-Norli.
Hanslick on the musically beautiful: Sixteen lectures on the musical aesthetics of Eduard hanslick.Alexander Binns - 2004 - British Journal of Aesthetics 44 (2):204-205.
Vom Musikalisch-Schönen di Eduard Hanslick: dalla prima alla nona edizione.Marta Tedeschini Lalli - 1993
Absolute Programme Music.Dammann Guy - 2017 - British Journal of Aesthetics 57 (1):71-75.
Eduard Hanslick und die Musikästhetik.Rudolf Schäfke - 1922 - Nendeln/Liechtenstein: Kraus Reprint.
Wittgenstein e Hanslick. Per una valutazione del formalismo musicale.Alessandra Brusadin - unknown
deleted.Enrique Morata - 2010 - internet archive.
Form and Freedom: The Kantian Ethos of Musical Formalism.Hanne Appelqvist - 2011 - Nordic Journal of Aesthetics 22 (40-41):75-88.
„Dies ist alles sehr beängstigend“: Nietzsche, Wagner, Hanslick und die „jüdische Presse“: Zu Martine Pranges Beitrag Was Nietzsche Ever a True Wagnerian?Christoph Landerer - 2012 - Nietzsche Studien 41 (1):182-190.

Analytics

Added to PP
2017-04-22

Downloads
26 (#607,004)

6 months
5 (#625,697)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Nick Zangwill
University College London

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references