Abstract

Thomas Becket's miracles formed the chief subject of the early thirteenth-century stained glass installed in the twelve ambulatory windows surrounding Becket's magnificent shrine in the Trinity Chapel of Canterbury Cathedral. This article argues that three of the five surviving miracle stories portrayed in the glass of nlV, a well-preserved window on the north aisle, have been misread. Rather than picturing miracles of pilgrims from Oxford, Essex and Warwickshire, these panels recount the miracles experienced by people from the environs of Canterbury and Dover, namely William of Dene, a paralysed knight; Goditha, a crippled laywoman of Canterbury; and Saxeva, a laywoman of Dover suffering from an abdominal complaint and pain in her arm. With these new readings in place, it is possible to see that all the surviving narratives in nIV are devoted to local miracles, a remarkable and hitherto unrecognised commemoration of Thomas Becket's Kentish cult in the cathedral's glass. The focus on local pilgrims in Canterbury's nIV is comparable to the 'trade', 'donor' or 'signature' panels in the contemporary stained glass at Chartres Cathedral.