Abstract

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche’s Voices by John SallisSean KirklandSALLIS, John. Nietzsche’s Voices. Edited by Richard Rojcewicz. Bloomington: Indiana University Press, 2023. 202 pp. Cloth, $75.00; paper and eBook, $35.00George Bataille, perhaps the twentieth century’s most fundamentally Nietzschean thinker, suggests that a book should not be viewed as an independently existing entity to be assessed on its own terms. Rather, a book is, according to Bataille, always one brick placed by the author in an already standing wall, resting upon and constituted partly by its relationship to its predecessors. John Sallis has placed an extremely rich new brick into the already extensive wall of Nietzsche scholarship, situated on the one hand between many important continentally-inflected book-length studies, by the likes of Heidegger, Klossowski, Deleuze, Kofman, Derrida, Irigaray, and Krell, and on the other those influential monographs from more traditional or analytic readers, such as Kaufmann, Danto, Hollingdale, Schacht, and Nehamas. Indeed, Sallis’s closest interlocutor is perhaps David B. Allison, whose indispensable Reading the New Nietzsche finds its way into this intermediate space as well. Sallis’s work wins its originality neither by imposing on Nietzsche’s works any fashionable theoretical frameworks or methods nor by insisting that those works conform to any purportedly established philosophical requirements or forms, mining them for comfortingly recognizable positions or claims. Rather, he engages the text utterly on its own terms with extreme sensitivity and insists on placing every line, every claim, every concept, and every argument within the encompassing textual whole, which is to say within the essay or book in which it appears and further within the context of the whole Nietzschean corpus—and for Sallis, Nietzsche’s many “voices” sing in harmony with one another over the course of his largely consistent seventeen-year philosophical career.Nietzsche’s Voices is the eleventh volume in Indiana University Press’s ongoing series The Collected Writings of John Sallis. Sallis being one of the world’s foremost interpreters of Martin Heidegger, his Collected Writings seem to be conceived somewhat on the model of that thinker’s Gesamtausgabe, gathering together not only all of Sallis’s published books but also a number of unpublished manuscripts and shorter texts, complete transcriptions of his lecture courses and seminars over the years, and indeed even some informal addresses and interviews. Richard Rojcewicz reports in his editor’s afterword that these are lecture notes for a course that took place over two semesters at Duquesne University during the 1971–72 academic year.After a brief introductory discussion of the challenge of reading Nietzsche’s unorthodox texts rigorously as philosophical works, the second chapter is devoted to a philosophical consideration of the importance of biography, especially as concerns a thinker who insists generally on the necessity of a close relationship between life and thought. The third chapter presents an extensive reading of The Birth of Tragedy and some of the contemporary unpublished materials. The early essays “On Truth and Lies in an Extra-Moral Sense” and “On the Utility and Liability of History for Life” are treated in chapters 4 and 5. The sixth and seventh chapters turn to Nietzsche’s “free spirit” works, first addressing [End Page 726] the critique of all received moral values and the call to invent wholly new kinds of values, in Human, All Too Human and Daybreak, and then turning to The Gay Science for Nietzsche’s analysis of the loss of any ultimate foundation for morality, knowledge, and even being itself in our late-modern historical moment. The eighth and final chapter comprises over half the book’s total length, offering a very detailed reading of Thus Spoke Zarathustra, the work Nietzsche himself saw as central to his entire corpus, indeed even central to the “history of humanity” insofar as it “splits it into two halves.”The book is full of penetrating insights into the Nietzschean text, and often Sallis’s close attentiveness and holistic approach succeed in resolving previously vexing interpretive problems. In the interest of brevity, I limit myself here to two examples.(1) In the Birth, Nietzsche famously traces the emergence of tragedy back to an almost miraculous marriage of two opposing...