The Nietzsche Reader brings together in one volume substantial selections from the entire body of Nietzsche’s writings, together with illuminating commentary on Nietzsche’s life and importance, and introductions to his major works and philosophical ideas. • Includes selections from all the major texts, including The Birth of Tragedy, The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, The Anti-Christ, and Ecce Homo • Offers new translations of key pieces from Nietzsche’s unpublished “Lenzer Heide” notebook • Provides a wealth of (...) pedagogical features, such as editorial sections on Nietzsche’s life and importance, an opening introduction to his philosophical ideas, introductions to each major section, and a comprehensive guide to further reading. (shrink)

Ecce Homo is an autobiography like no other. Nietzsche passes under review all his previous books and reaches a final reckoning with his many enemies. Ecce Homo is the summation of an extraordinary philosophical career.

Ecce Homo is an autobiography like no other. Nietzsche passes under review all his previous books and reaches a final reckoning with his many enemies. Ecce Homo is the summation of an extraordinary philosophical career.

The aim of this article is to discuss and scrutinize essential aspects of the relationship between Nietzsche and Burckhardt. In line with fundamental passages and revealing letters, it aims at showing a critical report of their intelectual scenery, and from a countermove towards the traditional model of education, it intends to bring to light a completely different conception of culture.

The first book that presents key original texts from the modern German philosophical tradition to English-language students and scholars of German, with introductions, commentaries, and annotations that make them accessible.

Nietzsche reflects on translation at two key points in his published works, GS 83 and BGE 28, and these passages have been frequently anthologized in translation studies readers. He was not otherwise much exercised by questions of translation, though, and when he uses the German word for translation, the majority of instances are figurative. As an academic classicist Nietzsche himself translated between German, Greek, and Latin, but his command of modern foreign languages was relatively unimpressive, and he viewed language learning (...) as a necessary evil, looking forward to the time when a new lingua franca would obviate the need for language learning or translation at all. Nonetheless Nietzsche was very keen to secure translators for his own works: early French translations in his mentally active lifetime were followed by a flurry of further translations from the 1890s, when English translations also began to appear. After the Second World War Walter Kaufmann and R. J. Hollingdale's English versions achieved preeminence, but by now the range of English translations is very diverse. The stylistic challenges facing the prospective translator of Nietzsche filled Peter Newmark with apprehension, but the present author adopts a more pragmatic position and concludes by speculating that the translator might represent the best approximation to Nietzsche's ideal reader. (shrink)

This is a brief, predominantly philological analysis of the term 'Umwerthung,' one of Nietzsche's coinages, which occupies a privileged place in his late philosophy and particularly in the phrase "Umwerthung aller Werthe." Differing translations of the term have reflected differing interpretations of Nietzsche's intent, and arguments in favor of both commonly used English translations are considered. Whereas 'transvaluation' was initially used, the modern consensus favors 'revaluation,' which is preferred in almost all postwar English translations.

ABSTRACT This is a brief, predominantly philological analysis of the term ‘Umwerthung,’ one of Nietzsche’s coinages, which occupies a privileged place in his late philosophy and particularly in the phrase “Umwerthung aller Werthe.” Differing translations of the term have ref lected differing interpretations of Nietzsche’s intent, and arguments in favor of both commonly used English translations are considered. Whereas ‘transvaluation’ was initially used, the modern consensus favors ‘revaluation,’ which is preferred in almost all postwar English translations.

This long-overdue translation brings to the English-speaking world the work that set the tone for the post-structuralist reading of Nietzsche.

This book combines a Nietzschean reading of Proust's novel A la recherche du temps perdu with a Proustian reading of Nietzsche's philosophy. It focuses on the problem of knowledge, the status of the self, the experience of transcendence, and the complex time structures in the works of the two writers.

Friedrich Nietzsche’s intellectual autobiography Ecce Homo has always been a controversial book. Nietzsche prepared it for publication just before he became incurably insane in early 1889, but it was held back until after his death, and finally appeared only in 1908. For much of the first century of its reception, Ecce Homo met with a sceptical response and was viewed as merely a testament to its author’s incipient madness. This was hardly surprising, since he is deliberately outrageous with the ‘megalomaniacal’ (...) self-advertisement of his chapter titles, and brazenly claims ‘I am not a man, I am dynamite’ as he attempts to explode one preconception after another in the Western philosophical tradition. In recent decades there has been increased interest in the work, especially in the English-speaking world, but the present volume is the first collection of essays in any language devoted to the work. Most of the essays are selected from the proceedings of an international conference held in London to mark the centenary of the first publication of Ecce Homo in 2008. They are supplemented by a number of specially commissioned essays. Contributors include established and emerging Nietzsche scholars from the UK and USA, Germany and France, Portugal, Sweden and the Netherlands. (shrink)

Mindful that philosophy is for Kofman always sublated by literature and psychoanalysis, this essay examines Kofman's rarely discussed text ‘Conversions: The Merchant of Venice under the Si...

Nietzsche intended Twilight of the Idols to serve as a short introduction to the whole of his philosophy, and to be the most synoptic of all his books. A masterpiece of polemic, this `great declaration of war' targets not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. This brilliant new translation is supplemented by a detailed commentary on one of Neitzsche's (...) most condensed works. (shrink)

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses (...) on untranslatability as a theoretical or philosophical construct, both to ground and extend the term's conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant. (shrink)