Abstract

The Thirteenth Epode is an intriguing poem. Like Carm. i. 7 it concludes dramatically with a highly condensed episode from epic tradition, in this case drawn from the early life of Achilles; but, unlike the Ode to Plancus, Epodes 13 does not reveal even the name of the addressee. And whether in spite of or because of this, the poem has been highly praised for its purely lyrical qualities. The now famous critique of E. Fraenkel, for example, represents the view of many: ‘A perfect poem,’ he calls it; ‘… its depth of feeling and beauty of expression and the harmonious blending of ideas of very different origin, make this ode superior to Odes 1. 7.’ The general approval of its poetic qualities might encourage a fresh attempt to discover any deeper significance it might have held for Horace's contemporaries.