Strong Comic Immoralism

Journal of Aesthetics and Art Criticism 81 (3):363-377 (2023)
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Abstract

Strong comic immoralism maintains that every time a humorous demonstration (for example, a joke) involves a moral defect, it is enhanced aesthetically in virtue of having this moral defect. I want to show that strong comic immoralism is a coherent position, that it is possible to defend, and that there is, in fact, some reason to defend it. By doing this, my hope is that, moving forward, those who are interested in questions about the relationship between immorality and the aesthetic value of jokes will take more seriously the objections that may be presented against their views by the strong comic immoralist, rather than claiming that “no one on this side of Satan” would be one.

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Connor K. Kianpour
University of Colorado, Boulder

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References found in this work

The Moralistic Fallacy.Daniel Jacobson - 2000 - Philosophy and Phenomenological Research 61 (1):65-90.
The Moralistic Fallacy: On the 'Appropriateness' of Emotions.Justin D'Arms & Daniel Jacobson - 2000 - Philosophical and Phenomenological Research 61 (1):65-90.
Warranted Christian Belief.Alvin Plantinga - 2000 - Philosophia Christi 3 (2):327-328.
Robust Immoralism.A. W. Eaton - 2012 - Journal of Aesthetics and Art Criticism 70 (3):281-292.
In Praise of Immoral Art.Daniel Jacobson - 1997 - Philosophical Topics 25 (1):155-199.

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