Abstract

My exploration of the work of Pamela Sue Anderson focuses on what she calls “a philosophical imaginary” in her article “Towards a New Philosophical Imaginary,” in which she responds to Judith Butler’s theory of relational ontology and vulnerability. Anderson’s project is to recast the term vulnerable, which is often associated with feminine weakness, as a positive energy. Critiquing Western myths that portray women as less empowered than men, as in Mary Midgley’s reference to Minerva and Owl that denigrates women as other, according to the Lacanian imaginary, Anderson strikes at the root of Western patriarchy. In contrast, she adduces Michèle Le Doeuff’s contemporary myth on Dawn, adapted from the Spanish philosopher Zambrano’s figure of Dawn, and offers us a new paradigm where Dawn’s heart expresses a new framework of love that is liberated from sex/gender discrimination. Although Anderson believed in Kantian philosophy, she did not hesitate to question the limitations of it. In this context, I also discuss the modern Indian philosopher Sri Aurobindo’s theory of supramental consciousness, the French philosopher Henri Bergson’s theory of intuition, and the ways in which Anderson’s theory of love is grounded in spiritual transformative practice, following Paul Fiddes. Other attractions of Anderson’s essay are the nuances of postcolonial discourse. I explore ways in which the theory of relational ontology proposed by Judith Butler intersects with the Indian economist and philosopher Amartya Sen’s theory of capability/justice.