Abstract

But beyond doubt also, the primacy that Plato gives to the imitation of, or participation in the Ideas, apparently substantially existing, is the main reason why critics have refused to recognize or consider possible any mode of conceptual immanence in the mind of the Demiurge or whomever they regard as the Platonic God. Text on text could be cited to exemplify the role of the Ideas as archetypes. Yet it seems rather strange that Plato should conceive of two simultaneous objects of imitation, the Supreme Being and the Ideas. Despite the plurality of Ideas, however, some critics have recognized a centripetal tendency in the dialogues toward the primacy of the Good, or the One, or the Beautiful, or Being, over subordinate Ideas. Was there possibly some similar tendency toward unity of some sort between the Supreme Intellect and the Intelligibles, his archetypes, which in the Timaeus are the ideal Living Exemplar of the cosmos?