Abstract

African-American women's texts, she demonstrates, often dramatize their distrust of their readers, their lack of faith in "the cultural conversation," through strategies of self-silencing and "self-talk." At the same time, she argues, the homoerotics of women's writing has too often gone unremarked. Not only does longing for an ideal listener draw women's texts into a romance with the reader, but there is an erotic excess which is part of feminist critical recuperation, itself.