Abstract

This brilliant and provocative study centers on the philosophical bases of style, and especially the use of metaphor in narrative fiction. Wicker has taken as his premise the importance of the polarization of language between metaphor and analogy; in his first section on the nature of metaphor, he argues for a balance or "marriage" of the two. He observes that since the Renaissance the Thomistic sense of analogy was lost and not replaced. Wicker’s two basic assumptions about metaphor are that it is endemic in language, and that it is never innocent: it always implies a subterranean metaphysic. The first half of this book is devoted to exploring the implications of these two points; chapters relating metaphor to analogy, to fiction, to nature, and to God form the theoretical basis for the second half, a systematic application of these preliminary developments.