An inquiry into Paul cezanne: The role of the artist in studies of perception and consciousness

Journal of Consciousness Studies 7 (8-9):57-74 (2000)
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Abstract

[opening paragraph]: An intriguing element of Paul Cezanne's legacy is that while he aligned his paintings with the classical Renaissance tradition of Western art, his innovative body of work ushered in a decisive break with the standards of that tradition in the twentieth century. The many ways in which Cezanne's representational system deviates from the pluralistic art of the twentieth century suggests that probing his allegiance to classicism offers a unique vantage point for studying visual art, perception, and consciousness. It is for this reason that this paper examines Cezanne's contributions from both the painterly and the cognitive science perspectives, asking what artists in fact contribute to our studies in these areas. [A response to this article from Semir Zeki is published in Trends in Cognitive Science.]

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References found in this work

Painting as an Art.Richard Wollheim - 1987 - Thames & Hudson.
Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.
Art and the Brain.Semir Zeki - 1999 - Journal of Consciousness Studies 6 (6-7):6-7.

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