Nature in the Light of Art

Royal Institute of Philosophy Lectures 6:242-258 (1972)
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Abstract

Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’

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Citations of this work

Is the Sacred Older than the Gods?Guy Bennett-Hunter - 2018 - Journal of Scottish Thought 10:13–25.
Interpreting Environments.Emily Brady - 2002 - Essays in Philosophy 3 (1):57-67.

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References found in this work

The methods of zen painting.Philip Rawson - 1967 - British Journal of Aesthetics 7 (4):315-338.
Can anything be an aesthetic object?Robert L. Zimmerman - 1966 - Journal of Aesthetics and Art Criticism 25 (2):177-186.

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