Abstract

This article considers the case for a theory of the queer object that focuses on its pliability – an object which operates queerly to amplify and elaborate the context in which it appears. It looks at the case of the altered book covers that Kenneth Halliwell and Joe Orton circulated through the Islington Public Library, activities for which the men were convicted and incarcerated. It considers their activities as versions of “trolling” and of otaku database fixation. It argues that rather than simply disrupt the circulation of library books the men introduced queer objects to the library that facilitated and fostered new and more engaged understandings of the library’s collection of book objects. It reads the covers for the ways in which they connect otherwise disparate and neglected instances of texts with a virtual database of images and concepts that foster new readings of them and advance a new meaning for queer engagement with archives, libraries, and databases.