Logical Theatrics, or Floes on Flows: Translating Quine with the Shins

European Journal of Pragmatism and American Philosophy 8 (2) (2016)
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Abstract

I will begin this comparative analysis with Quine, focusing on the front matter and first chapter of Word and Object (alongside From a Logical Point of View and two other short pieces), attempting to illuminate there a (1) basis of excessive, yet familiar, chaos, (2) method of improvised, dramatic distortion, and (3) consequent neo-Pragmatist metaphysics. Having elaborated this Quinian basis, method and metaphysics, I will then show that they can be productively translated into James Mercer’s poetic lyrics for The Shins, with an emphasis on the first song, entitled “Caring is Creepy,” from their debut studio album, Oh, Inverted World! Finally, I will explain why Quine and Mercer are particularly suited to this translation (in contrast to other philosophically-rich pop lyricists such as Bob Dylan, and other pragmatist philosophers like Robert Brandom), in the course of which important implications will emerge for our globalized world today.

Similar books and articles

Quine.A. W. Moore - 2009 - In Christopher Belshaw & Gary Kemp (eds.), 12 Modern Philosophers. Oxford, UK: Wiley-Blackwell. pp. 16–33.
Willard Van Orman Quine, 1908–2000.Peter T. Manicas - 2004 - In Armen T. Marsoobian & John Ryder (eds.), The Blackwell Guide to American Philosophy. Oxford, UK: Blackwell. pp. 247–262.
Quine on Observationality.Olav Gjelsvik - 2013 - In Ernie Lepore & Gilbert Harman (eds.), A Companion to W. V. O. Quine. Wiley-Blackwell. pp. 313–332.

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Citations of this work

Just War contra Drone Warfare.Joshua M. Hall - 2023 - Conatus 8 (2):217-239.
Hannah Arendt on Racist Logomania.Joshua M. Hall - forthcoming - Journal of Mind and Behavior.

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References found in this work

Word and objects.Agustín Rayo - 2002 - Noûs 36 (3):436–464.

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