Philosophy and conceptual art

& (eds.)
New York: Oxford University Press (2007)
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Abstract

This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on.

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2009

Call number

BH39.P474 2007

ISBN(s)

0199285551
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Chapters

Artistic character, creativity, and the appreciation of conceptual art.Matthew Kieran
Conceptual Art Is Not What It Seems.Dominic McIver Lopes
Creativity and conceptual art.Margaret A. Boden
Introduction.Peter Goldie & Elisabeth Schellekens
Mind and matter in the work of art: One and Three Chairs.Carolyn Wilde
On perceiving conceptual art.Peter Lamarque
Speaking through silence : conceptual art and conversational implicature.Robert Hopkins
The aesthetic value of ideas.Elisabeth Schellekens
The dematerialization of the art object.Derek Matravers
The dematerialization of the object.Derek Matravers
The ontology of conceptual art.Gregory Currie
Visual conceptual art.  (pages 33)Gregory Currie
Kant after Lewitt: towards an aesthetics of conceptual art.  (pages 92)Diarmuid Costello
Matter and meaning in the work of art : Joseph Kosuth's One and three chairs.  (pages 119)Carolyn Wilde
Telling pictures : the place of narrative in late modern 'visual art'.  (pages 138--156)David Davies
Conceptual art and knowledge.  (pages 157)Peter Goldie
Sartre, Wittgenstein, and learning from imagination.  (pages 171--194)Kathleen Stock
Artistic character, creativity, and the appraisal of conceptual art.  (pages 197)Matthew Kieran
258/EmergencyConditionals.  (pages 257)Mel Ramsden

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Author Profiles

Peter Goldie
Manchester
Elisabeth Schellekens
Uppsala University

Citations of this work

Aesthetic knowledge.Keren Gorodeisky & Eric Marcus - 2022 - Philosophical Studies 179 (8):2507-2535.
Really Boring Art.Andreas Elpidorou & John Gibson - 2022 - Ergo: An Open Access Journal of Philosophy 8 (30):190-218.
Conceptual art.Elisabeth Schellekens - 2010 - Stanford Encyclopedia of Philosophy.

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