Abstract

Nietzsche’s iconic Ecce Homo: maps out the answer by taking the reader on a kind of magical mystery tour ruminating between the paradox. With chapter headings such as ‘Why I am so Wise’ or ‘Why I Write such Good Books’ or ‘Why I am Destiny’, one begins to breathe in the method, the madness, the sheer intelligence of it all. Whatever else may be being said in that text and his others, one thing is certain: a sustained, crucial, well-directed attack on metaphysics – as idealism, dialectical logic, universalism, identity politics, morality and a whole host of other paradigmatic strictures – is necessarily, urgently, launched. Scroll forward more than 100 years since, and, coupled with the profound advances in socio-cultural norms from civil rights to feminism to gender equality, and beyond, as well as the profound advances in physics, from quantum to Higgs Boson; in mathematics from recursive algorithm to fractal imaginaries; in technology and new media from the photography to the digital, from the computer to robotics, from the gun to the stealth bomber – it almost beggars belief that at least in the aesthetic-politico-philosophic arena, one finds a steady crawl, and most recently, more of a electrified sprint, back to metaphysics ‘as a whole’, and more worrying still, to the speculative idealism of Hegel and co. For reasons not entirely clear, there has been a massive group hug toward metaphysics: whether at the level of retrieving it via a return to Hegel or retrieving metaphysics via Heidegger or retrieving it via Hegel or retrieving metaphysics via the newest old version: speculative realism. This chapter sets out to examine critically those approaches and to see how they fare once the erotic, the sensual, and indeed, the networked algorithmic age, is brought to bear. May have to dust off copies of Marx’s Poverty of Philosophy along the way.