Abstract

Upon completing Marthe Atwater Chandler's Expressing the Heart's Intent: Explorations in Chinese Aesthetics I am struck by how much can be gleaned retroactively from the title. At the outset the title indeed made me somewhat wary, having seen how on many occasions Chinese philosophical terms become mangled in English-language translation in ways that unnecessarily import, either implicitly or explicitly, misleading conceptual frameworks. Words like "expressing," "heart," and "intent" all triggered various suspicions on my part. Fortunately, these suspicions were quickly addressed, as Chandler advances an adept reading of the shi yan zhi 詩言志 conceit so central to Chinese aesthetics since its introduction in the...