El grito de la Gorgona: cristalización musical del mito

Aisthesis 63:145-170 (2018)
  Copy   BIBTEX

Abstract

This article debates about the interrelation between the music and myth as a creative model in the archaic Greece. The idea is to show how the myth gives form and content to the narrative intonation of events in the nomos [νόμος], the first musical form of history that emerge in a close relation between the musical practice and mythology, expressed throughout the archaic poetry and the musical contests in Delphos. The article’s title synthetized the archetypical idea of the ancient Greek culture about the notion of harmony proportion and measurement in which the Greeks developed his artistic ideal. So, The Gorgon’s shout is a phrase that coined the sonorous description of monstrosity that the ancient Greeks expressed whit fantasy in their music, giving to this shout an artistic order and form of expression.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,100

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

El Retorno del Mito: La racionalidad mito-simbólica.José Ma Mardones - 2009 - Revista Portuguesa de Filosofia 65:1383-1385.
El marco del mito.León Olivé - 2003 - Signos Filosóficos 6 (11s):35-51.

Analytics

Added to PP
2022-11-09

Downloads
1 (#1,902,696)

6 months
1 (#1,474,534)

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Author's Profile

Arturo García Villaseñor
Universidad de Las Américas Puebla

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references