Abstract

The first part (‘Some Parts’) deals with Corpus, by Nancy, in contrast with Artaud's experience of his ‘own’ death in the psychiatric hospital in Rodez. The second part, (‘A corpus is not a discourse …, and it is not a narrative’) develops a quasi-narrative which points toward a greater corpus, at once ‘mad’ and undeniably true. ‘Interferon’, ‘Dragon Naturally Speaking’, the (Egyptian) ‘Book of the Dead’, all of these names embody powerful techniques to alter the self and displace the limits of experience ‘itself’. Corpus ‘is’ a writing without writing, or a writing from with/out. *