Collision: The Puzzle of Chardin

Evental Aesthetics 3 (1):8-15 (2014)
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Abstract

This paper addresses problems in the interpretation of Chardin’s still life paintings, which are disconcerting because they are so out of step with those of his contemporaries. It is suggested that, with the application of Kantian aesthetics, Chardin can be best understood as representing things in themselves as well as the limits of language and understanding

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Jane Forsey
University of Winnipeg

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References found in this work

Foucault on Freedom and Truth.Charles Taylor - 1984 - Political Theory 12 (2):152-183.
Chardin and the Text of Still Life.Norman Bryson - 1989 - Critical Inquiry 15 (2):227-252.

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