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  1.  87
    The aesthetics of design.Jane Forsey - 2013 - New York: Oxford University Press.
    The Aesthetics of Design offers the first full treatment of design in the field of philosophical aesthetics, challenging the discipline to broaden its scope to include the quotidian objects and experiences of our everyday lives and concerns ...
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  2.  67
    Is a theory of the sublime possible?Jane Forsey - 2007 - Journal of Aesthetics and Art Criticism 65 (4):381–389.
  3.  69
    The Promise, the Challenge, of Everyday Aesthetics.Jane Forsey - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):5-21.
    This paper provides a critical assessment of two diverse methodological approaches in the contemporary movement of Everyday Aesthetics. The “weak formulation” asserts that ordinary objects are best understood on the model of fine art. I counter this claim with a distinction between aesthetic and artistic value. The “strong formulation” develops an ethical-existential theory of the everyday as one of belonging and familiarity which nevertheless causes us to lose what is uniquely aesthetic about our ordinary lives. I strive to find a (...)
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  4.  63
    Aesthetic Experience, Aesthetic Value.Jane Forsey - 2017 - Estetika: The European Journal of Aesthetics 54 (2):175-188.
    This paper offers a critical analysis of Robert Stecker’s account of aesthetic experience and its relation to aesthetic and artistic values. The analysis will demonstrate that Stecker’s formulation of aesthetic experience as it stands is incompatible with his arguments for nonaesthetic artistic values. Rather than multiplying the values associated with aesthetic experience, a deeper understanding of that experience will best serve to clarify problems at the core of the discipline.
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  5.  17
    Aesthetic Experience, Aesthetic Value.Jane Forsey - 2020 - Estetika: The European Journal of Aesthetics 54 (2):175–188.
    This paper offers a critical analysis of Robert Stecker’s account of aesthetic experience and its relation to aesthetic and artistic values. The analysis will demonstrate that Stecker’s formulation of aesthetic experience as it stands is incompatible with his arguments for nonaesthetic artistic values. Rather than multiplying the values associated with aesthetic experience, a deeper understanding of that experience will best serve to clarify problems at the core of the discipline.
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  6.  50
    The Disenfranchisement of Philosophical Aesthetics.Jane Forsey - 2003 - Journal of the History of Ideas 64 (4):581-597.
    Beginning with the current discontent felt by prominent aesthetic theorists over the marginalization of their field within philosophy, this paper seeks to find an explanation for the discipline's apparent neglect. A meta-aesthetic examination of approaches to the study of art and of concurrent historical trends in the art world itself reveals that a methodological emphasis on the ontology of art objects and the conditions for their perception has created a gulf between art and human life that renders it unimportant to (...)
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  7. Philosophical disenfranchisement in Danto's "the end of art".Jane Forsey - 2001 - Journal of Aesthetics and Art Criticism 59 (4):403–409.
  8.  22
    On Taste: Aesthetic Exchanges.Lars Aagaard-Mogensen & Jane Forsey (eds.) - 2018 - Cambridge Scholars Press.
    This volume offers an original and innovative collection of fresh approaches to the investigation of the idea of taste. It is divided into three sections: the concept of taste; taste and culture; and gustatory taste. The papers in all three parts deal with the way that aesthetics interpenetrates discussions of food, political conflict, art appreciation, aesthetic judgement, and education. These are fresh, never-before published contributions from a range of scholars, using the most recent literature in their areas of expertise. There (...)
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  9.  39
    Art and identity.Jane Forsey - 2003 - Philosophy Today 47 (2):176-190.
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  10.  5
    Art and Identity.Jane Forsey - 2003 - Philosophy Today 47 (2):176-190.
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  11.  34
    Creative Expression and Human Agency.Jane Forsey - 2005 - Symposium 9 (2):289-312.
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  12.  5
    Creative Expression and Human Agency.Jane Forsey - 2005 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 9 (2):289-312.
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  13.  33
    Continental Philosophy.Jane Forsey - 2002 - Symposium 6 (2):247-249.
  14. Collision: The Puzzle of Chardin.Jane Forsey - 2014 - Evental Aesthetics 3 (1):8-15.
    This paper addresses problems in the interpretation of Chardin’s still life paintings, which are disconcerting because they are so out of step with those of his contemporaries. It is suggested that, with the application of Kantian aesthetics, Chardin can be best understood as representing things in themselves as well as the limits of language and understanding.
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  15.  54
    Collision: The Puzzle of Chardin.Jane Forsey - 2015 - Evental Aesthetics 4 (1):88-95.
    FEATURED IN EVENTAL AESTHETICS RETROSPECTIVE 1. LOOKING BACK AT 10 ISSUES OF EVENTAL AESTHETICS. This paper addresses problems in the interpretation of Chardin’s still life paintings, which are disconcerting because they are so out of step with those of his contemporaries. It is suggested that, with the application of Kantian aesthetics, Chardin can be best understood as representing things in themselves as well as the limits of language and understanding.
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  16.  5
    Disenfranchisement.Jane Forsey - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 256–262.
    In 1984, Arthur C. Danto wrote two essays, both with enormously provocative themes. One, “The Philosophical Disenfranchisement of Art,” chronicles aggressive strategies of philosophy to contain and control art, and calls for art's re‐enfranchisement. The second, “The End of Art,” offers a Hegelian model of art history in which art necessarily comes to an end with its own philosophical self‐consciousness. This chapter argues that “The End of Art” is an astonishing confirmation of Danto's thesis in “The Philosophical Disenfranchisement of Art.” (...)
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  17.  16
    Humans and Dumb Animals.Jane Forsey - 1999 - Philosophy Now 25:29-31.
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  18.  19
    Liu Yuedi and Curtis L. Carter, eds., Aesthetics of Everyday Life: East and West. Reviewed by.Jane Forsey - 2015 - Philosophy in Review 35 (6):321-323.
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  19.  39
    Metaphor and Symbol in the Interpretation of Art.Jane Forsey - 2004 - Symposium 8 (3):573-586.
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  20.  18
    The Injustice of Punitive Justice.Jane Forsey - 2000 - Philosophy Now 30:10-12.
  21.  11
    Continental Philosophy. [REVIEW]Jane Forsey - 2002 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 6 (2):247-249.
  22.  27
    Hegel. [REVIEW]Jane Forsey - 2002 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 6 (2):245-247.
  23.  6
    Hegel. [REVIEW]Jane Forsey - 2002 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 6 (2):245-247.
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