The symbolic, the sublime, and Slavoj Žižek's theory of film

New York: Palgrave-Macmillan (2012)
  Copy   BIBTEX

Abstract

From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 94,045

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2012-05-28

Downloads
32 (#488,566)

6 months
12 (#304,552)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Matthew Flisfeder
The University of Winnipeg

References found in this work

No references found.

Add more references