Palgrave-Macmillan (2012)
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| Abstract |
From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
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| Keywords | Motion pictures Philosophy |
| Categories | (categorize this paper) |
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| Call number | PN1995.F565 2012 |
| ISBN(s) | 9780230341470 0230341470 |
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