The symbolic, the sublime, and Slavoj Žižek's theory of film

New York: Palgrave-Macmillan (2012)
  Copy   BIBTEX

Abstract

From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 89,764

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Situating the subject in film theory: meaning and spectatorship in cinema.Veijo Hietala - 1990 - Helsinki, Finland: Distributor, Akateeminen kirjakauppa.
Motion(less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.
Film language: a semiotics of the cinema.Christian Metz - 1974 - Chicago: University of Chicago Press.
Theories of cinema, 1945-1995.Francesco Casetti - 1999 - Austin: University of Texas Press.
Film theory and philosophy.Richard Allen & Murray Smith (eds.) - 1997 - New York: Oxford University Press.

Analytics

Added to PP
2012-05-28

Downloads
22 (#600,407)

6 months
4 (#314,006)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Matthew Flisfeder
The University of Winnipeg

References found in this work

No references found.

Add more references