Palgrave-Macmillan (2012)

Authors
Matthew Flisfeder
The University of Winnipeg
Abstract
From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
Keywords Motion pictures Philosophy
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Call number PN1995.F565 2012
ISBN(s) 9780230341470   0230341470
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