Abstract

The purpose of this article is to examine the struggle of alternative subcultures for recognition from a philosophical perspective. This examination makes use of Honnethian critical theory to examine the philosophical dimensions of the formation of subcultural groups. More specifically, this article makes use of the Goth subculture as a case study in order to shed light on the centrality of the concept of recognition to the activities of subcultures, and to outline the material harms that follow from a lack of recognition.