Abstract

Starting from a reconstruction of the origins of the concept of “modernity” in the late Nineteenth century and of the different interpretations of it in the context of the German social sciences, the essay articulates its radical ambivalences. After establishing that modernity cannot be measured on a scale of progress, neither can it be identified with a specific value, Christof Dipper suggests that there are many conceptions of modernity as there are societies, and that these are not necessarily following a common path. The concept of modernity, that includes anti-modernity as well, embraces therefore actors, representations, and constellations, offering an overall reading of history.