Abstract

Before I even begin, before even a preface or an epigraph, allow me to make two confessions or concessions. Both of them have to do with the fable and the phantasm, that is to say, with the spectral. The fabulous and the phantasmatic have a feature in common: stricto sensu and in the classical sense of these terms, they do not pertain to either the true or the false, the veracious or the mendacious. They are related, rather, to an irreducible species of the simulacrum or of virtuality. To be sure, they are not truths or true statements as such, but neither are they errors or deceptions, false witnesses or perjuries.