Enumerating Photography from Spot Meter to CCD

Theory, Culture and Society 32 (7-8):245-265 (2015)
  Copy   BIBTEX

Abstract

The transition from analogue to digital photography was not accomplished in a single step. It required a number of feeder technologies which enabled and structured the nature of digital photography. Among those traced in this article, the most important is the genesis of the raster grid, which is now hard-wired into the design of the most widely employed photographic chip, the charge-coupled device. In tracing this history from origins in half-tone printing, the authors argue that qualities available to analogue photographers are no longer available to digital, and that these changes correspond to historical developments in the wider political and economic world. They conclude, however, that these losses may yet be turned into gains.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,612

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Death and Digital Photography.Helen Ennis - 2011 - Cultural Studies Review 17 (1):125-145.
The Limits of Photography.Jiri Benovsky - 2014 - International Journal of Philosophical Studies 22 (5):716-733.
Redundancy in photography.Daniel Palmer - 2012 - Philosophy of Photography 3 (1):36-44.
Jpegs: Thomas Ruff and the horror of digital photography.Ian Rothwell - 2021 - Philosophy of Photography 12 (1):93-109.
Why be a photographic image?Yanai Toister - 2014 - Philosophy of Photography 5 (2):161-167.

Analytics

Added to PP
2014-02-02

Downloads
14 (#996,581)

6 months
6 (#702,272)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

A Mathematical Theory of Communication.Claude Elwood Shannon - 1948 - Bell System Technical Journal 27 (April 1924):379–423.
Prints and Visual Communication.Wolfgang Lederer - 1953 - Journal of Aesthetics and Art Criticism 12 (2):276-276.

Add more references