This essay by Newman's longtime colleague Dan Friedman provides an opportunity to relook at Newman's methodology from an entirely different vantage point—the theatre. Having examined, in previous essays, the practice of developmental performance as manifest in social therapy, we now examine it as developmental theatre. This [Book Review]

In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 157 (1999)
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Twenty-two weeks of pointless conversation.Dan Friedman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 157--196.
Ever since Newman left academia some 30 years ago, philosophy, psychology, politics and theatre have been inseparable activities for him. In this, his mostly explicitly philosophical play, a series of autonomous philosophical dialogues gracefully unfold into a play with political and psychological impact. Yet, the activity of the conversation is what dominates. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 197.
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Life as performance.Lois Holzman - 1999 - In Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 49--69.
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John Henry Newman’s Methodology for Theological Inquiry.Joseph Redfield Palmisano - 2012 - Newman Studies Journal 9 (2):65-78.
After reading the script Newman had written for the third consecutive convention of the American Psychological Association, I told him that “The Story of Truth (A Whodunit) or Philosophie dans la Théâtre” might well be the most unenlightening play ever written. Newman, of course, took that as the compliment I intended. Like some. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 143.

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