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  1.  22
    The end of knowing: a new developmental way of learning.Fred Newman - 1997 - New York: Routledge. Edited by Lois Holzman.
    How do we reconstruct our world when modernist ideas have been refuted and many social problems appear unsolvable? Fred Newman and Lois Holzman offer the alternative of "performed activity"--a non-academic way forward to develop and add meaning to our lives. The authors believe that it is through participation in cultural, educational and psychological projects that one can achieve personal enrichment. These projects and ideas have been formulated from 25 years of practice in the authors' own "anti-institution," a development community free (...)
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  2.  3
    Lev Vygotsky:Revoltn Scientist.Fred Newman & Lois Holzman - 1993 - Routledge.
    First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
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  3.  9
    Beyond narrative to performed conversation.Fred Newman & Lois Holzman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge.
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  4. The origins of Sartre's existentialism.Fred Newman - 1966 - Ethics 76 (3):178-191.
  5.  7
    Intertrial cues as discriminative stimuli in human eyelid conditioning.John W. Moore, Frederick L. Newman & Barry Glasgow - 1969 - Journal of Experimental Psychology 79 (2p1):319.
  6.  12
    Intertrial stimuli and generalization of the conditioned eyelid response.John W. Moore & Frederick L. Newman - 1966 - Journal of Experimental Psychology 71 (3):414.
  7. A therapeutic deconstruction of the illusion of self.Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 111--32.
     
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  8.  12
    Differential eyelid conditioning as a function of the probability of reinforcement.Frederick L. Newman - 1967 - Journal of Experimental Psychology 75 (3):412.
  9.  19
    Differential eyelid conditioning: Establishing differential responding prior to varying the probability of reinforcement.Frederick L. Newman & Julian Woodhouse - 1969 - Journal of Experimental Psychology 80 (1):146.
  10.  23
    Differential eyelid conditioning: The generalization of reinforcement and of nonreinforcement.Frederick L. Newman, James C. Francis, Alice West & Diane Covey - 1973 - Bulletin of the Psychonomic Society 1 (6):433-436.
  11. Diagnosis: The human cost of the rage to order.Fred Newman & K. Gergen - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 73--86.
     
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  12.  15
    Explanation by description.Fred D. Newman - 1968 - The Hague,: Mouton.
  13.  7
    Explanation sketches.Fred Newman - 1965 - Philosophy of Science 32 (2):168-172.
    According to Hempel, historians do not offer full-blown explanations. Rather, they typically present explanation-sketches which need filling out. On his account, … Such a sketch consists of a more or less vague indication of the laws and initial conditions considered as relevant, and it needs ‘filling out’ in order to turn into a full fledged explanation. This filling out requires further empirical research for which the sketch suggests the direction ….
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  14.  4
    Life Upon the Wicked Stage.Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 33.
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  15.  22
    Multidimensional stimulus control: Effects of training and/or testing.Frederick L. Newman, C. Frank Andreone, Lynne Washburn & Ronald B. Purtle - 1972 - Journal of Experimental Psychology 93 (2):290.
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  16.  12
    Omniscience is possible.Fred Newman - 1964 - Australasian Journal of Philosophy 42 (1):102 – 103.
  17. Science Can Do Better than Sokal.Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 7996--133.
  18.  21
    Two Analyses of Prediction*,.Fred Newman - 1966 - Theoria 32 (1):45-55.
  19.  2
    The Myth of Psychology.Fred Newman - 1991
  20.  4
    The Story of Truth (A Whodunit).Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 143.
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  21.  13
    Unscientific psychology: a cultural-performatory approach to understanding human life.Fred Newman - 1996 - Westport, Conn.: Praeger. Edited by Lois Holzman.
    They tell the story of how these myths were constructed out of age-old philosophical abstractions to create a world and a discourse of psychological objects.
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  22.  1
    What Is to Be Dead?Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 197.
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  23.  9
    Differential human eyelid conditioning as a function of the probability of reinforcement and CS similarity.Gail B. Peterson & Frederick L. Newman - 1970 - Journal of Experimental Psychology 85 (2):318.
  24.  19
    Multidimensional stimulus generalization of a tactile response along the dimensions of angularity and texture.Ronald B. Purtle & Frederick L. Newman - 1969 - Journal of Experimental Psychology 81 (3):566.
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  25. After reading the script Newman had written for the third consecutive convention of the American Psychological Association, I told him that “The Story of Truth (A Whodunit) or Philosophie dans la Théâtre” might well be the most unenlightening play ever written. Newman, of course, took that as the compliment I intended. Like some. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 143.
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  26. Debates on the issue of psychological diagnosis have been raging for decades. In recent times, both sides in the debate have become more stubborn and self-righteous. The critics, especially, appear to be ineffectual and impotent. Poking fun at the more ludicrous of the hundreds of categories of mental disorder catalogued in the DSM-IV (the fourth edition of the). [REVIEW]Fred Newman & Kenneth Gergen - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 73.
     
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  27. Ever since Newman left academia some 30 years ago, philosophy, psychology, politics and theatre have been inseparable activities for him. In this, his mostly explicitly philosophical play, a series of autonomous philosophical dialogues gracefully unfold into a play with political and psychological impact. Yet, the activity of the conversation is what dominates. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 197.
     
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  28.  5
    For some years I've been troubled by an apparent decline in the standards of rigor in certain precincts of the academic humanities. But I'ma mere physicist. If I find myself unable to make heads or tails of jouissance and difference, perhaps that just reflects my own inadequacy. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 133.
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  29. Since 1996, Newman has written short plays expressly for presentation at American Psychological Association Annual Conventions. The impetus for these “psychology plays” was Kenneth Gergen's invitation to Newman and me to participate in an innovative symposium he was putting together for theAPA's 1996 convention. Entitled “Performative Psychology. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 33.
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  30.  14
    The ideas presented in this essay were developed in many conversational contexts between the summer of 1997 and the spring of 1998—from supervisory sessions with social therapists and therapists-in-training to professional conferences of psychologists and face-to-face and e-mail dialogues with narrative therapists and theorists. In recent books. [REVIEW]Fred Newman & Lois Holzman - 1999 - In Lois Holzman (ed.), Performing Psychology: A Postmodern Culture of the Mind. Routledge. pp. 87.
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