Abstract

What can we learn from the open and attentive perception of children and poets? How does this perception contribute to a methodology that reaches the intricate entanglement of worldly phenomena in its entire otherness? In this essay, we aim to answer these questions, taking into account the phenomenological grounds which lead us to achieve a singular state of perception and, therefore, a more crystal clear knowledge of the beings and things in the lived world. We seek to explore other forms of rationality and aesthetic sensibility, by considering poetic language and a phenomenological understanding of the environment. We argue for a modality of thought that encompasses the foundations of Goethe, Husserl, Bateson, Ingold, Leiris and Krishnamurti to collapse the dichotomy between person and environment.