Da soggetti a progetti. L'abbandono dell'Humanismus in Vilém Flusser

Flusser Studies 19 (1) (2015)
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Abstract

By focusing on two of Flusser’s last writings, this essay tries to address the question of the relationship between Flusserian thought and the tradition of humanism. Moving towards a form of intersubjectivity based on dialogue and mutual responsibility, Flusser succeeded in breaking the bonds that bind the contemporary subject to modernity’s unbearable burden. He described the meaning of a contemporary becoming human in a very distinctive way. Indeed, the trajectory drawn by Flusser is not entirely superimposable on the actual vernacular of post-humanism and I believe that its deepening could open us up to more responsible ways to deal with technological development and “post-humanist technologies”.

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References found in this work

Holzwege.Martin Heidegger - 1950 - Frankfurt a. M.,: V. Klostermann. Edited by Friedrich-Wilhelm von Herrmann.
On Edmund Husserl.Vilém Flusser - 2012 - Philosophy of Photography 2 (2):234-238.
Man as subject or project.Vilém Flusser - 2012 - Philosophy of Photography 2 (2):239-243.
Soggetti.[author unknown] - 1991 - Augustinianum 31 (1):107-192.

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