Abstract

The fact that the Odyssey and the Theogony share a number of verses in common seemed to most scholars of the nineteenth and early twentieth centuries reason enough to assume that one work has influenced the other. Now that more is known about the techniques of oral poetry, which have clearly influenced the composition of both works, a greater caution is rightly shown in arguing for the priority of the one or the other on the basis of individual verses or phrases, since these may in fact be formulaic and thus common property which could have been used by any poet working in that tradition. In one case, however, Odyssey 8. 166–77 and Theogony 79–93, what is common is not a single verse but two and a half lines, so that the possibility of chance occurrence of the same formulas is virtually ruled out. Quite rightly therefore few critics have doubted that here either Homer has directly influenced Hesiod or vice versa. For this reason a good deal of the argumentation for the priority of the Odyssey or of the Theogony has concentrated on an examination of Od. 8. 166–77 and Th. 79–93. However, as is usual in such cases, most of the arguments which have been adduced in favour of the priority of the one or of the other are reversible because they are based on subjective grounds such as alleged incompetent adaptation of the earlier work, which is tacitly assumed to be superior. Since these arguments have recently been discussed in detail by Heinz Neitzel in a useful survey, it will not be necessary to review them here