Abstract

Jewish historiographical production of the Renaissance and Baroque periods was in fact the expression of the unsuccessful attempt by a handful of individuals to make sense of Jewish history as a living history in diaspora conditions. Their failure was the inevitable result of the essential incompatibility of the subject matter of history, in those days conceived mainly as political and military narrative, and the destiny of their people the world over. Jewish historiographic output can be seen as part of the Jewish endeavor to redefine Jewish identity at the dawn of the modern era. However, the time had not yet come for a "New History" among both Jews and non-Jews -attempted in particular by Joseph ha-Cohen, David Ganz, and most perhaps most successfully by Azariah de Rossi-which might have provided a possible answer to the crisis of Renaissance historiography