Abstract

Summary André-Jacob Roubo, author of Art du menuisier (Art of the Woodworker), included in the famous series of the Descriptions des arts et métiers published by the Paris Academy of Sciences, was a true worker whose craft was based on first-hand experience of the trade. At the same time, he was a literate artist, who shared the ideas and values of the Enlightenment and dedicated himself to writing technical treatises. Roubo was on the fringe of the guild system by virtue of his training and his first steps in the trade. From the start, his connections with the circle of the learned elite were much more developed than with the world of the Parisian ‘maîtres menuisiers’. Yet Roubo considered himself to be a member of the community of woodworkers, and he addressed his treatise to his fellow workers, as if it were the masterpiece required to be received into the guild. So, who was Roubo? By training and status, he was certainly an artisan. But at the same time, we can see him as a sort of member of the Republic of Letters, whose fame rested on his expertise in woodworking and joinery. His case illustrates the fact that the gulf between ‘gens de métiers’ and ‘gens de lettres’ in the eighteenth century was less wide than is usually asserted.