In the Theater of Earth and Sky: On the Work of John Sallis

Sallis situates himself within the discourse of the “end of metaphysics” that in various idioms traversed the twentieth century. This lineage has variously declared the fulfillment and completion of the epoch of Western philosophy as metaphysics, exposed metaphysics to the discipline of the question, inverted its hierarchical structure with a view to overcoming the privileges of disembodied reason. Yet, even within such a lineage of systematic exhaustion and often spectacular provocations, John Sallis’s work stands out for its radical traits. First and foremost, for the unrelenting interrogation of the things below. His deconstructive gesture does not simply rest on textual encounters, but crucially also on the frequentation of the things of sense and the cultivation of intimacy with them.