Abstract

This essay considers W. E. B. Du Bois’s Darkwater as a window onto Du Bois’s political theory at an underexamined stage of his career and onto a challenge at the heart of black political thought: how to formulate a conception of collective life that regards the humanity of black women and men as a central concern. Exploring Du Bois’s attempt to articulate what can be seen through the lens of an avowedly “black” perspective and his creative juxtaposition of different modes of writing, the author suggests why Darkwater remains a valuable resource for democratic theory in an age misleadingly described as “post-racial.”